Showing posts with label cambridge. Show all posts
Showing posts with label cambridge. Show all posts

Wednesday, April 17, 2013

within sniffing distance

News, unless explicitly smell-related, rarely comes up here on Nosy Girl, but regular readers will know that the link between empathy and smelling is one of the primary concerns of this project, the driving force behind the blog (that and my legitimate nosiness). With each installment in the Nosy Interview series, the heart of this site, I'm struck by what I discover about dear friends and perfect strangers alike, by how the details of their smell-lives enlarge and inform my care for them, and, it is my hope, your care for them as well.  

Regular readers will also know that I live in Cambridge, Boston's neighbor to the north, and my proximity to that city and the appalling act of terrorism during Monday's marathon have me thinking and talking about empathy in an unusually discomfiting way this week, as I struggle with the limitations of my own. Even as I resist the urge towards tribalism ("We're all Bostonians today" vs. We're all humans all of the time), I won't deny the desperate But this is our home! We live here! feeling that comes straight out of fear, that is borne of nearness to calamity, but that, of course, is felt by anyone living under threat of violence, be it infrequent or constant. On the phone, talking about the bombings with worried loved ones living far away, I bristled inwardly at a question I have myself posed in the past and contemplate with some regularity: "God, can you imagine living in a place where this happened all of the time?" No. I haven't the first idea what that would be like, and I acknowledge the sheer dumb luck of that. As my dear and brilliant friend Preeta Samarasan says, “So often we say to each other, ‘I can’t imagine,’ when really what we mean is that we don’t want to, that imagining would be unbearable.” For a moment yesterday, some of us didn't have to do quite as much of the imagining. 

That is the work of empathy, that distance to whatever vividness we are able, or willing, to imagine. The feeling is—while easy is the wrong word, automatic fits. We know the urgency of grief or fear when it is our own, the strange shock of people driving their cars to the grocery store, the disbelief that any of these things—food, vehicles, other humans and their daily lives—should still exist in the face of our loss. But I was surprised by the degree to which I felt the social-media version of this dizziness on Monday, staggered that other people were still wrapping things in bacon, winning Pulitzers, and, most importantly, asking me to remember this feeling when next I read about a drone strike. Thomas Page McBee, writing for the Rumpus, explains why the animal in me wanted comfort first:
The first step in containing the potential for trauma is safety. The second is to welcome the injured and fearful, the grief-stricken and the shocked back into the fold. This is animal logic—trauma research has found that prey animals, upon escape, need to rejoin the group and discharge their nervous energy, the stress hormones that kept them alive.
Once we’ve accounted for our own pack (with the recognition that such violence means this is not possible for everyone), and shed some shock thanks to the warmth of our fellow mammals, then we must do the work of traversing the gap between the urgency of our own feelings and the remove with which we are able to understand a bomb in a far off place, perhaps dropped from a plane bearing our own country’s insignia. The work is holding this version of empathy in our minds—this sick-smelling sweat, these clouds of smoke, these ceaseless sirens—rather than the soft-click brand that is far more typical of my days spent ‘liking’ and ‘sharing,’ engaging even with comments only occasionally, but very rarely calling up this same rage in any of its sensory agony. Glenn Greenwald’s piece in the Guardian is essential reading on the matter: 
[Whatever] rage you're feeling toward the perpetrator of this Boston attack, that's the rage in sustained form that people across the world feel toward the US for killing innocent people in their countries. Whatever sadness you feel for yesterday's victims, the same level of sadness is warranted for the innocent people whose lives are ended by American bombs. However profound a loss you recognize the parents and family members of these victims to have suffered, that's the same loss experienced by victims of US violence. It's natural that it won't be felt as intensely when the victims are far away and mostly invisible, but applying these reactions to those acts of US aggression would go a long way toward better understanding what they are and the outcomes they generate.
But what of the outcomes we may generate not from our acts of aggression, but through our empathy? The Americans who make up my self-selected tribe are people who feel deeply, empathize with their whole hearts, and hate the fact that violence is committed in their name. This pack includes people who stood near enough to smell and hear and feel the terror of Monday’s explosions but who did not hesitate to connect their own feelings of helplessness with the plights of people they have never ridden together with on a train.  What good are their enormous hearts? Is it enough to hope that they nudge a loved one a step further along the spectrum of compassion? That, in their sharing, they might afford a family member a more complicated understanding of words like “evil” and “freedom”? That they try with all they have to stand for one moment inside another's suffering, and let it connect them to, rather than close them off against, other people? I'm grateful to the friends that keep me from stagnating on that spectrum of compassion, who always challenge me to be less myopic in what I allow to break my heart. I thank writers for that, too. One such writer-hero is Zadie Smith, who has this to say about empathy
In the end, empathy is a very limited emotion. Here in the West we romanticize its power—especially in literature!—but the truth is empathy gets turned on and off as needs be. My own feeling is you need to legislate for it, to encourage people into its practice—to enforce it, if need be. Perhaps all those Wall Street bankers were perfectly nice people, too, who didn’t mean to hurt us as they did, but we shouldn’t rely on the vagaries of human personalities. Desperation, weakness, vulnerability—these things will always be exploited. You need to protect the weak, ring-fence them, with something far stronger than empathy.
I'm certainly guilty of romanticizing the power of empathy, especially as it is generated by stories. And of course we need to turn it off and on; we can’t walk around shattered all of the time, open empathic wounds. We probably can’t even sustain the bit of extra tenderness towards one another that I noticed in my everyday interactions on Tuesday, and there’s a part of me that will be grateful when my neighbors go back to being gruff, even as it indicates we’ve moved beyond the instinctive empathy generated by our terrible shared experience. But let’s say we could sustain it, enlarge it, actually bottle even just a tiny bit of our rage, despair, and tenderness to take out and get a whiff of when next we read the news. What then? How do we use our empathy? What can it do? These are not rhetorical questions. As a writer, I subscribe wholly to the notion that empathy is our most essential human trait, that the nurturing of it amongst others and within ourselves is one of the best ways we can be of use. Of what use? 

--
reading list: 
"The Boston bombing produces familiar and revealing reactions," Glenn Greenwald 
"Park It," Luke O'Neil  
"After Boston, we have a choice: helpless emoting or meaningful empathy," Steve Almond 
"The Tragedies of Other Places," Rafia Zakaria 
"Into the Fold," Thomas Page McBee 
"Teju Cole on the Empathy Gap and Tweeting Drone Strikes," Sarah Zhang 
"Stunned Silence," Roxane Gay 
"The Random Death of our Sense of Ease," Marjorie Williams
"On Running, Freedom, and the Boston Bombing,"  Kathryn Schulz

Tuesday, October 30, 2012

storm smells

(last night, in my neighborhood)
Nosy readers, I hope you are safe, dry, and warm. Last night my quiet Cambridge neighborhood smelled of burning leaves on every block, the burning-leaf smell carried even on wet leaves in the strong winds, so much like late-autumn backyard bonfires that it was a genuine surprise to have the smoking chimneys pointed out to me, of course no maniacs were burning their yard waste during a weather event, rather, they had their fireplaces going for maybe the first time this year. My friend Carla remarked on Facebook at how beautiful the storm smells were from where she stood: "The stormy air in Boston smells fantastic. Scent mixture of ocean, autumn leaves, and damp earth." (Scientists have names for some of those beautiful storm smells: ozone, petrichor, and geosmin.) Even here, where my own stroll around the neighborhood was decidedly low-risk, I wrestled with the urge to tell anyone I saw to Get inside! and had a stronger version of this reaction to the live photo-tours of New York I was privy to via Instagram and Twitter. But I also understand the need to go outside and see, to feel in the whip of high winds just how vulnerable we all are, always, to breathe that in and call it beautiful, knowing how lucky we are for the chance.

Wednesday, September 14, 2011

'some scent of yourself that you can hold up high'

 [image is a detail from the tour poster, post title is a lyric from "Three Peaches"]

Just typing "I saw Jeff Mangum perform on Friday" makes me tremble a little, filled again with disbelief, but this time at something that actually happened, rather than something I couldn't believe would. Waiting in line to pick up our tickets, I warned my companions that I might start sobbing during the concert. What is it about devotion that can make us sound so disturbed?

When we took our seats in the pews at Sanders Theatre, my friend Dorothy remarked immediately on how amazing it smelled. I agreed; it felt like being inside a roll-top desk: old wood, old books, varnish, worn lacquer, and leather blotter. Plus some dusty human smell that comes from sitting still for long stretches of time.

I was wearing East MidEast that day, but added Avignon because I couldn't imagine not wearing it to this show. The way Neutral Milk Hotel and Avignon make me feel are not similar, but they are related. More and more, this has become what interests me about perfume. Of course I like to smell good, but even more I like what I smell to make me feel a certain way, or think about things a bit differently, and I also appreciate being able to put on a certain fragrance and remember more fully a time or a moment in my life. Avignon, a fragrance that it's easy to feel religious about, now has this added weight for me, having risen from my wrists in the church-like atmosphere of Sanders Theatre during what, in some ways, is the closest I get to any kind of church at all.

Some people find Avignon distant, too dark and cement-like in its heavy Catholic incense, too cerebral, too cold. And some people surely find Neutral Milk Hotel somewhat inaccessible, too strange, too distorted or obscure. But they are two of the most beautiful things I know, and they came together for me, warm as fingertips, in a theater that smelled like a well-loved desk, sitting among one thousand weepy, joyful, reverent people who knew nearly every word.

Thursday, July 21, 2011

stray smells

 Unleaded, Unleaded, Premium Unleaded by Eric Graham

Today on my bike I smelled violet and rice, together, in a hot blast. I don't think I would have noticed this combination were it not for Katie Puckrik's recent review of Love, ChloƩ (a perfume I'd hoped would smell a little bit more like what I smelled on the street today). I was riding past a Chinese restaurant and a flower shop, but it can't be as simple as that, can it? On the corner near these two stores there's a gas station that has the faintest odor of any gas station I've ever sniffed; it's a real letdown. Another gas station in my neighborhood was mysteriously abandoned today, cordoned off by a big tornado fence and bright orange construction tape. It looked like a crime scene, a diorama of a suburban ghost town. Off my bike, an oddly sour smell seemed to follow me all evening, but I refused to accept I was its origin. I can be stubborn that way.

Wednesday, May 25, 2011

stars! they smell just like us.

All week I've been wearing By Kilian's Beyond Love and I smell amazing. I'm like this buttery, floral angel of aroma just floating around town, upstaging even the lilac bushes and lilies of the valley. I suspect the only reason more people aren't stopping me on the street to ask why I smell so good is that they're weirded out by how focused I am on smelling my own arm.

I went to the Class Day ceremonies at Harvard today because I wanted to hear Amy Poehler speak (like every smart young lady in America, I am morally bound to support any event at which she is featured). The crowd was full of girls in bright, floral dresses, hair and skin and smiles gleaming. Poehler herself wore this gorgeous shade of saturated teal and a metallic blazer, bright as the blonde froth of her hair. There were huge Veritas flags strung up everywhere, and the trees in Harvard Yard were shedding the tiniest golden leaves, like tasteful, perfectly-timed confetti. A sucker for ceremony (even ones I am not a part of), I walked home feeling restless and nostalgic, optimistic but a little bereft.

The blue was much better than this.  © Reuters, via

Poehler told the students that if they could manage to add kindness and the ability to fix a tire to their existing smarts and bravery, they would just about be the perfect people (not just sweetness & light, she did flip off the kid who referred to her as the "blonde Tina Fey" at the start of his very funny speech). She was more earnest than any of the student speakers. She told them to put down their iPhones and look at people's faces. Her own facenot just that custard-colored hairwas radiant, but I believed her when she said she'd stayed up late writing her speech. I get the feeling that she is the sort of person who, even when exhausted, emits a kind of sunshine. She just seems so undeniably good. Though there is nothing goofy about Beyond Love (apart from its stupid-high price), it is also undeniably good.

My mom has said that if writing doesn't work out for me, I should try to become a scent adviser to the stars. (Is this a real job? Has anyone seen a "Scent Adviser to the Stars" offer intimate-seeming insight in US Weekly followed immediately by a disclaimer that they have never met, let alone sniffed, the celebrity in question?) If writing and manure-ranking both fail to keep me in perfumes, I'll start with Amy Poehler: Get your hands on some Beyond Love! No doubt you'll look adorable even with your nose buried deep in your own elbow crook.

Friday, May 13, 2011

spring ring

The lilies of the valley are making their intentions known. Some magnificent human planted half of the whole front yard of our building with lilies of the valley, and while the white skirts haven't opened yet, the smell is already incredible. Did you know that it's nearly impossible to extract essential oil from lilies of the valley? All the perfumery devoted to the muguet, as it's also known, is the work of chemists trying to capture that perfect little bell of a note. 


All the brick in Boston makes me think it's a city made for the fall (the 46,000 universities here support my view), but it does pretty well for itself in spring, too. 

real red! no filters or funny business.
glitter confetti gutter

Friday, April 1, 2011

anticipated weekend smells:

  • the return of the halloumi cheese grilling outside of formaggio kitchen
  • the inside of leavitt & peirce, a local cigar shop i know my dad will want to visit 
  • the smell of snow, melting all at once, and for the last time this year